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For information on "How to Prepare" for auditions click here.

NEYT ANNOUNCES AUDITIONS FOR 2017 SHOWS
All auditions take place at the New England Youth Theatre, 100 Flat
Street, Brattleboro, VT.  802-246-6398

If you cannot attend auditions – e.g. you live very far away – please send a video submission of one (or more) of the speeches AND a short song to This email address is being protected from spambots. You need JavaScript enabled to view it.

 

ALL COMPANY HOLIDAY MUSICAL
TUCK EVERLASTING
Directed by Hallie Flower
TUITION $550 – SCRIPT DEPOSIT $30

AUDITIONS Monday, June 5th 3:45-6:30 Open Call 
Callbacks, Sunday, June 11th 3:30-6pm

“What would you do if you had all eternity?”

ABOUT THE SHOW:
Based on the beloved story by Natalie Babbitt, TUCK EVERLASTING asks what a life would mean if it never ended, and whether a never-ending life would be worth living. 
    
Eleven year old Winnie Foster yearns for a life of adventure beyond her white picket fence in Treegap, NH - but it's not until she becomes unexpectedly entwined with the Tuck Family that she gets more than she could have imagined. Learning of the magic behind the Tuck’s unending youth, she finds herself fighting to protect their secret of eternal life. As her adventure unfolds, Winnie faces an extraordinary choice: return to her life or continue with the Tucks on their infinite journey.

Adapted for the stage by Claudia Shear and Tim Federle, Tuck Everlasting features a soaring score from Chris Miller and Nathan Tysen. 

This project will be the regional premier of this recent Broadway musical. 

FAMILY MEETING: October 10th 6:30-7:30pm

REHEARSALS: Begin October 16th 3:45-6:45pm 
Monday, Tuesday, Thursday, Friday with some Saturdays
Most actors will be called 3-4x a week
Extended hours during tech week

PERFORMANCES:
Thursday, December 7th 7pm
Friday, December 8th 7pm
Saturday, December 9th 2pm & 7pm
Sunday, December 10th 2pm

Thursday, December 14th 7pm
Friday, December 15th 7pm
Saturday, December 16th 2pm & 7pm
Sunday, December 17th 2pm 


TUCK EVERLASTING - AUDITION MATERIAL

CHOOSE ONE MONOLOGUE AND ONE SONG TO PREPARE FULLY – with comprehension, memorization, and passionate commitment.

WINNIE FOSTER
Young people who would especially like to be considered for Winnie should prepare the following music and any monologue from the provided materials:

EVERLASTING
2nd “There are two ways home down one long road”… thru…”can I, should I, will I drink.”

All other actors should select a song and a monologue from below:

TOP OF THE WORLD
“Watch my every step”… thru… “we’ve only got tonight” (first verse)

EVERYTHING’S GOLDEN
“Fella take a look at my suit”… thru… “soon everything’s golden and everything’s mine”

MY MOST BEAUTIFUL DAY
(Beginning of song) 
“Each memory a sweet melody”… thru… “your most beautiful day for the rest of your life”

TIME
“There was a farmhouse with a grandfather clock… and there never came a time when they came back as one”

PARTNER IN CRIME
“You need a partner in crime”… thru… “without a friend to tell your stories to”


Hardcopies will be available in the front office by May 1st. We will also have scanned copies of music available for emailing. Please contact: This email address is being protected from spambots. You need JavaScript enabled to view it.


CALLBACKS:
Some students will be asked to return with additional material. The callback gives the director a chance to focus on specific vocal and acting needs.

Just because someone is not called back does NOT mean they will not be cast. We also will not call back for all roles.

MATERIAL:

Actors called back for JESSE TUCK will be asked to sing:
TOP OF THE WORLD
(last verse, including Winnie’s lines)
“I’ll go out on a limb”… thru… “so look at me at the top of the world” 

Actors called back for WINNIE FOSTER will be asked to additionally sing:
LIVE LIKE THIS
“Let this be the day”… thru… “I can’t live like this!”
And may be asked to sing the EVERLASTING cut to end

Actors called back for MAN IN THE YELLOW SUIT will be asked to sing:
EVERYTHING’S GOLDEN
 “Look who has a spring in his step”…thru… “soon everything’s golden and everything’s mine”

Actors called back for MILES will be asked to sing:
TIME
“There was a farmhouse with a grandfather clock… and there never came a time when they came back as one… thru to end… “I’m left with nothing, nothing but time” 

Actors called back for ANGUS TUCK will be asked to sing:
THE WHEEL
 “It’s a wheel Winnie”… thru… “can’t stop growing, growing, changing, and moving on”

Actors called back for MAE TUCK will be asked to sing:
MY MOST BEAUTIFUL DAY
(End of song, post dance break in recording)
“Each memory”… thru end of song.

 

TUCK EVERLASTING
CHARACTER & ENSEMBLE BREAKDOWN:

This show offers an unusual experience when compared to some of our recent Holiday productions. Much of the atmosphere and thematic questions are expressed through the dance, movement, and physical actions of the ensemble. Their presence weaves in and out of the story as commentary and counterpoint to illuminate the themes, interior character obstacles, and inhabit memory. There are also more traditional production numbers connected to the Fair that has come to town – and then, at times, the styles mix.

The rehearsal experience will include much dance and movement as well as singing. It is a unique opportunity for us to expand how we tell story. Love to move? Scared to move but interested in trying something new? There is rich material for us to play with through 8 musical production numbers and a huge central dance/movement piece that expresses the story of the life Winnie eventually chooses. How busy we will be!

AVAILABLE ROLES:
Approximately 40 actors

20-26 “adults”
7-12 “young adults”
4-6 youngest “children”

Here are ALL ROLES needed to tell this story. Some actors will play multiple roles; some will play one character throughout. Do remember we embrace non-traditional casting.

WINNIE FOSTER -  (appears) 11 years old. Mezzo Soprano
MOTHER - Winnie's protective mother. A widow.
NANA - Winnie's grandmother with the acerbic wit.
(Mother and Nana may double as additional characters in some production numbers.)

JESSE TUCK - The youngest of the Tuck family, (appears) 17. Tenor
MILES TUCK - Jesse's older brother (appears) 21. Tenor
MAE TUCK - Jesse's mother. Mezzo Soprano
ANGUS TUCK - Jesse's father. Baritone

MAN IN THE YELLOW SUIT - The nefarious leader of a traveling carnival, in search of the fountain of youth. (Gender is not important in this casting.)
Baritone or Alto.

CONSTABLE JO - Head of the police force in Treegap. Baritone or Alto.
HUGO - Constable Joe's sidekick and son. Tenor

THE FOREST ENSEMBLE
8-12 core dancer/singers

THE COMMUNITY ENSEMBLE
(Carnival performers & neighbors of Treegap, NH)

10 CARNIVAL PERFORMERS
   The 2 CORSETED SIDEKICKS to our villain 
   GAME VENDOR
   STRONG MAN
   BALLOON SELLER
   SAD CLOWN ON STILTS
   COTTON CANDY SELLER
   DRUMMER 
   JUGGLER

THE NEIGHBORS OF TREEGAP, NH
4-6 children
6-8 adults & young adults (Parents, Young Lovers, Spinsters)

DANCE DOUBLES & FLASHBACK ENSEMBLE:

10-12 Mae & Angus’ neighbors at the village dance

MILES TUCK 
THOMAS TUCK as a child
THOMAS’ MOTHER (Miles’ wife)

WINNIE as a young woman, bride, and mother
HUGO as a grown man

12 Wedding attendants

THEIR SON AS A CHILD
THEIR SON GROWN
HIS FIANCÉ

12 Mourners at the funeral

12 Celebrants at the son’s wedding

ELDERLY WINNIE 
ELDERLY HUGO
 

 

TUCK AUDITION MONOLOGUES
(TIP: Make the language active – rather than as if you are reading a story. Think about the point of view of the speaker and who they are speaking with as well… and then let those things show. If you are interested in certain kinds of characters, like good guys or bad guys, make a bold choice with material and use it like they would.)

“I don’t know your story but I bet it’s longer than I’ve got time to hear. So at the risk of sounding unneighborly: how about you folks leave my town, and never turn up again.”

“The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.”

“The ownership of land is an odd thing when you come to think of it. How deep, after all, can it go? If a person owns a piece of land, does he own it all the way down, in ever narrowing dimensions, till it meets all other pieces at the center of the earth? Or does ownership consist only of a thin crust under which the friendly worms have never heard of trespassing?”

“In the end, however, it was the cows who were responsible for the wood's isolation, and the cows, through some wisdom they were not wise enough to know that they possessed, were very wise indeed. If they had made their road through the wood instead of around it, then the people would have followed the road. The people would have noticed the giant ash tree at the center of the wood, and then, in time, they'd have noticed the little spring bubbling up among its roots in spite of the pebbles piled there to conceal it. And that would have been a disaster so immense that this weary old earth, owned or not to its fiery core, would have trembled on its axis like a beetle on a pin.” 
 
"Look here, toad, I don't think I can stand it much longer. If I had a sister or a brother, there'd be someone else for them to watch. But, as it is, there's only me. I'm tired of being looked at all the time. I want to be by myself for a change. I'm not exactly sure what I'd do, you know, but something interesting—something that's all mine. Something that would make some kind of difference in the world. It'd be nice to have a new name, to start with, one that's not all worn out from being called so much. And I might even decide to have a pet. Maybe a big old toad, like you, that I could keep in a nice cage with lots of grass, and – (The toad croaks) I suppose you're right, then you'd be just the way I am now. Why should you have to be cooped up in a cage, too? It'd be better if I could be like you, out in the open and making up my own mind.” 
 

 

JUNIOR COMPANY FALL PRODUCTION PROJECT
CLOWN TOWN 2017

For ages 9-13 tuition $450
Directed by Doran Hamm, Stephen Stearns, & Billy Higgins

AUDITIONS: Monday June 12th 3:45-6pm

REHEARSALS: Begin Monday, September 11th 
Monday, Tuesday, Thursday 3:45-6:30 & some Saturdays
Extended hours during tech week.

PERFORMANCES:
Friday, October 27th 7pm
Saturday, October 28th 2pm & 7pm
Sunday, October 29th 2pm

Tuesday, November 31st 9:30am SCHOOL SHOW
Friday, November 3rd 7pm
Saturday, November 4th 2pm & 7pm
Sunday, November 5th 2pm

WHAT IT’S ALL ABOUT:
The clowns are back in town for CLOWN TOWN 2017!
Come explore clown, mime, and physical comedy with NEYT founder and Clown of the first order, Stephen Stearns, and clowns of the second order Billy and Dory in an original clown-tacular performance.

WHAT TO PREPARE:
Come with a short story or tale to tell.  An abbreviated version of a fairy tale or short story just in super speed. Make it 30 second - 1 minute, using physicality, voice, movement as if you were going to entertain a group of kids younger than yourself.  Be prepared to be physical, loud, play characters, whatever help you tell the story clearly and in an over the top manor. Before and afterwards we will play games, do exercises, laugh, and be incredibly silly.  Most importantly come ready to play, have fun, and be your honest clown selves. 

 

 

SENIOR COMPANY FALL PLAY
THE MUSICAL COMEDY MURDERS OF 1940
For ages 13-19 tuition $450


AUDITIONS: June 12th 3:45-6:30pm

REHEARSALS Begin Monday, August 28th
Monday, Tuesday, Thursday, & Fridays from 4-6:45pm
Extended hours during tech week.

PERFORMANCES: October 6 –  8 & 13 - 15.
Friday, October 6th 7pm
Saturday, October 7th 2pm & 7pm
Sunday, October 8th 2pm

Friday, October 13th 7pm
Saturday, October 14th 2pm & 7pm
Sunday, October 15th 2pm

ABOUT THE PLAY:

A mystery farce in the vein of Clue!

The creative team responsible for a recent Broadway flop in which three chorus girls were murdered by the mysterious "Stage Door Slasher" assemble for a backer's audition at the estate of a wealthy angel. The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people—all of which figure diabolically in the mayhem which follows when the infamous "Slasher" makes his reappearance and strikes again—and again. 

As the team prepare their performance huddled inside from a paralyzing blizzard, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims out of sight, and accusing fingers point in all directions. A slapstick, side-splitter with a generous serving of satiric and irreverent wit.

WHAT TO PREPARE:
Please prepare (and memorize) one-minute comic monologue or excerpt from a play or book. Be bold with your character choices. Come ready to play!


CHARACTER BREAKDOWN:

Helsa Wenzel
Maid of the Grossenknueten estate. She is killed in the first scene, only to be impersonated by her twin brother, Dieter. "Katrina, the cook from Koblenz" also looks a whole lot like her.

Elsa Von Grossenknueten
Owner of the mansion and financial backer of many musicals. Elsa has a flair for the dramatic – as well as the culinary arts. Espionage runs in her blood. 

Michael Kelly
An undercover cop who snow shoes in to help solve the mystery of the Stage Door Slasher. Tough, no-nonsense attitude puts him at odds with the dramatic types that visit. 

Patrick O'Reilly
Claims to be an Irish tenor… but is he. Might he be "Tony Garibaldi", an undercover cop from the Bronx or Gestapo Agent Klaus Stansdorff in search of German defectors? 

Ken De La Maize
A "typical" director, speaking of theater as a "pure art." Habitual name-dropper and precious control freak. 

Nikki Crandall
The ingénue… eventually revealed to be Ensign Nicole Crandall of United States Naval Intelligence. Ken almost kills her, followed quickly by Dieter. Eddie saves her twice, prompting the two to fall in love.

Eddie McCuen
The out of work comedian hired as a last minute replacement. He has an obvious attraction to Nikki and ultimately ends up saving the day and getting the girl. 

Marjorie Baverstock
Broadway producer. She is accidentally killed by Dieter at the end of the first act; strangely, no one seems to notice, despite the fact that there is an enormous sword through her back. 

Roger Hopewell
Composer of "White House Merry-Go-Round", and Bernice's creative partner. Roger flares up whenever someone insults his musical style and delivers quips like a Noel Coward. 

Bernice Roth
The perpetually “thirsty” lyricist. Bernice can be struck with inspiration at a moment’s notice, takes her art seriously, and does not have espionage in her blood.  

 

 

SENIOR COMPANY SUMMER CLASSIC
SHAKESPEARE’s TWELFTH NIGHT
Directed by John Hadden

AUDITIONS: Sunday, February 26th 4:30-6:30pm

16 actors Ages 13-19
Program Tuition $500

REHEARSALS begin July 24th weekdays, M-F 9-4pm PERFORMANCES August 11, 12, 13 (4 performances)

Please bring one Shakespeare monologue you know well, a minute or two in length, and we’ll meet in a group to play. Appropriateness to the role should not be a big consideration. We'll have fun, we'll learn something, and we'll get a head-start.

Twelfth Night is a brilliant dark comedy, all about love and madness. Shipwrecked twins on a voyage far from home, each thinking the other drowned, wander into a world of love, misunderstandings, mistaken identities, ambition & lechery, and even hijinks.

The play is full of music, full of beautiful language, full of wonderful and sympathetic depictions of human folly, especially in love. It's from Shakespeare's Hamlet period, and contains a similar level of questioning and sophistication. Each character is fashioned so completely, but so different one from the other, that the play has the effect of being a collection of universes, each one zooming around with its own set of natural laws.

 

SENIOR COMPANY SUMMER MUSICAL
THE DROWSY CHAPERONE
Directed By Rebecca Waxman

AUDITIONS Saturday MARCH 4, 3:30 – 5:30 pm - call backs (if needed) Wednesday MARCH 8 4:30-6pm

25 - 35 actors ages 13-19
Program Tuition $550

REHEARSALS begin June 19th weekdays M-F 9-4pm PERFORMANCES July 7, 8, 9 & 11, 12, 13, 14, 15 (10 performances)


Traveling Commmedia Troupe
Directed by Rosa Palmeri with Jonny Flood
Audition date: Sunday, November 27 from 2-4pm
Ages 10-19, Tution $450

Join a small troupe of students in a traveling show that will not only go to Brattleboro area schools, but represent NEYT this summer at the Green River Theater Festival. If you are interested in building a show based in commedia, physical comedy, and clown and want to work with a strong mixed-age troupe, join Rosa and Jonny in this concentrated, committed, and fun work. We are accepting 7 students into the troupe so there will be a real chance for advanced, individual training.

To audition bring a memorized piece of text roughly 1 minute in length that you think is funny. It doesn’t have to be from a play.

Rehearsals:
Sundays 12-5, Mondays 4-6:45, Tuesdays 4-6:45
March 5-7, 12-14, 19-21, 26-28
April 3-4, 9-11 (no vacation week 16-22), 23-25

Performs throughout May
Additional rehearsals end of June
Green River Festival - July

 

 

 




 

 






 

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